G

Gemma-4-31B-Dark-Orthia-31B

RP Chat

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Ratings reflect this model as run on Arli AI.

Gemma-4-31B-Dark-Orthia-31B is a text generation model available on Arli AI. It offers 31B parameters, 262K token context, reasoning support, vision input. Recommended use: RP Chat. Run it through the OpenAI-compatible chat completions API with unlimited requests and zero-log privacy.

View on Hugging FaceBack to Models

Hourly Usage

No hourly usage data available

Token Usage

Input (24H)

0

Output (24H)

0

Input (7D)

0

Output (7D)

0

Performance Metrics

Typical Total Time

N/A

Typical TTFT

N/A

Typical Input TPS

N/A

Typical Output TPS

N/A

Model Information

Context Size

262144

Quantization

r128 on FP8

Engine

vllm

Creation Method

Merge

Model Class

Gemma-4-31B - LoRA

Chat Template

Gemma4

Reasoning

Yes

Vision

Yes

Parameters

31B

Added At

10/31/2026

Use Gemma-4-31B-Dark-Orthia-31B with the Arli AI API

Gemma-4-31B-Dark-Orthia-31B is available through an OpenAI-compatible chat completions endpoint. Point any OpenAI SDK at https://api.arliai.com/v1, pass Gemma-4-31B-Dark-Orthia-31B as the model, and requests are served without logging.

cURL

curl https://api.arliai.com/v1/chat/completions \
  -H "Authorization: Bearer $ARLIAI_API_KEY" \
  -H "Content-Type: application/json" \
  -d '{
    "model": "Gemma-4-31B-Dark-Orthia-31B",
    "messages": [{"role": "user", "content": "Hello!"}]
  }'

Python

from openai import OpenAI

client = OpenAI(
    base_url="https://api.arliai.com/v1",
    api_key="YOUR_ARLIAI_API_KEY",
)

response = client.chat.completions.create(
    model="Gemma-4-31B-Dark-Orthia-31B",
    messages=[{"role": "user", "content": "Hello!"}],
)
print(response.choices[0].message.content)

See the text generation docs for every parameter, or read the quick start guide to make your first request.


license: apache-2.0 base_model:

  • google/gemma-4-31B-it
  • Blazed-Forge/Gemma-4-Giftige-Blume-31B-v1
  • TheDrummer/Artemis-31B-v1.2
  • Ateron/Gemma-4-MoonGem-31B base_model_relation: merge tags:
  • merge
  • mergekit
  • roleplay
  • character-rp
  • creative writing
  • storytelling
  • conversational
  • dark
  • low-refusal
  • nsfw
  • 31B
  • gemma-4
  • untied-lm_head

by Nimbz

DARK ORTHIA

31B · Gemma 4 · Merge
“Merciless.”
DARK ROLEPLAY
GENUINE CHARACTERS
PROMPT ADHERENT
CONVERSATIONAL
◖◗Which one
Same body, different output head. That is the whole difference between them.
DARK-ORTHIA-31B◖  you are herePick this one if you want characters that stay in character and leave {{user}} to yourself: the most in-character and the fewest replies written for {{user}} of all six models in my tests. Orthia, but darker.
DARK-ORTHIA-UNTIED-31B◗  A whole other caliber →Pick this one if you want an unhinged experience; a foul mouth and no restraint. It's overall more explicit, darker, cruder and it's quicker to take the lead. It tends to write actions for {{user}} sometimes, so check the Usage section to help with that.
⬛GGUF quants
Note: the imatrix used was provided by mradermacher! I only remade the i1-quants because they need a specified token_embed quantization when using an untied lm_head, to prevent quality loss compared to letting the gguf-script handle it.
☰Merge Details
I

The Body

task_arithmetic
Readsq · k · gate · up
MoonGem-31B0-29
Giftige-Blume-31B-v130-47
Artemis-v1.248-59
Writesv · o · down
Giftige-Blume-31B-v10-59
L0L30L48L59
▸  Phase 1: task_arithmetic
merge_method: task_arithmetic
base_model: ./google/gemma-4-31B-it
dtype: float32
out_dtype: bfloat16
tokenizer_source: base
parameters:
  normalize: false
models:
  - model: ./Blazed-Forge/Gemma-4-Giftige-Blume-31B-v1
    parameters:
      weight:
        - { filter: model.language_model.layers.0.self_attn.q_proj, value: 0.0 }
        - { filter: model.language_model.layers.0.self_attn.k_proj, value: 0.0 }
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        - { filter: model.language_model.layers.1.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.2.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.2.mlp.gate_proj, value: 0.0 }
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        - { filter: model.language_model.layers.3.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.4.mlp.gate_proj, value: 0.0 }
        - { filter: model.language_model.layers.4.mlp.up_proj, value: 0.0 }
        - { filter: model.language_model.layers.5.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.5.mlp.gate_proj, value: 0.0 }
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        - { filter: model.language_model.layers.6.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.6.mlp.gate_proj, value: 0.0 }
        - { filter: model.language_model.layers.6.mlp.up_proj, value: 0.0 }
        - { filter: model.language_model.layers.7.self_attn.q_proj, value: 0.0 }
        - { filter: model.language_model.layers.7.self_attn.k_proj, value: 0.0 }
        - { filter: model.language_model.layers.7.mlp.gate_proj, value: 0.0 }
        - { filter: model.language_model.layers.7.mlp.up_proj, value: 0.0 }
        - { filter: model.language_model.layers.8.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.8.mlp.gate_proj, value: 0.0 }
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        - { filter: model.language_model.layers.9.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.11.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.20.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.20.mlp.gate_proj, value: 0.0 }
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        - { filter: model.language_model.layers.21.mlp.gate_proj, value: 0.0 }
        - { filter: model.language_model.layers.21.mlp.up_proj, value: 0.0 }
        - { filter: model.language_model.layers.22.self_attn.q_proj, value: 0.0 }
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        - { filter: model.language_model.layers.22.mlp.gate_proj, value: 0.0 }
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        - { value: 1.0 }
  - model: ./Ateron/Gemma-4-MoonGem-31B
    parameters:
      weight:
        - { filter: embed_tokens, value: 0.0 }
        - { filter: lm_head, value: 0.0 }
        - { filter: embed_vision, value: 0.0 }
        - { filter: vision_tower, value: 0.0 }
        - { filter: multi_modal_projector, value: 0.0 }
        - { filter: model.language_model.layers.0.self_attn.q_proj, value: 1.0 }
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        - { filter: model.language_model.layers.2.self_attn.q_proj, value: 1.0 }
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        - { filter: model.language_model.layers.4.self_attn.q_proj, value: 1.0 }
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        - { filter: model.language_model.layers.4.mlp.gate_proj, value: 1.0 }
        - { filter: model.language_model.layers.4.mlp.up_proj, value: 1.0 }
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        - { filter: model.language_model.layers.6.self_attn.q_proj, value: 1.0 }
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  - model: ./TheDrummer/Artemis-31B-v1.2
    parameters:
      weight:
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        - { filter: lm_head, value: 0.0 }
        - { filter: embed_vision, value: 0.0 }
        - { filter: vision_tower, value: 0.0 }
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II

The Untied Head

for less dashes

The head is untied and equal to the embedding, except for the 25 em-dash rows, which were scaled by 0.60. This is no traditional "StyleTune transplant", I used the method specifically to get rid of em-dashes, NOT to make the model more creative and less adherent (benchmarks below agree).

▸  Phase 2: head damping
python graft_head.py --body ./Dark-Orthia-31B --donor ./Gryphe/Pantheon-Reasoning-31B-1.1 \
    --t 0 --out ./Dark-Orthia-31B-d60 --protect-chars em_dash --scale-chars em_dash:0.60
☰Comparison Table
My own internal testing ground, same settings for all: Q4_K_M · Temp: 1.0 / Top-P: 0.95 / Min-P: 0.0 · same chat template · two SillyTavern presets (Geechan, default) · sixteen 16-turn scenes from community cards, one run per scene and preset · 128 samples at each decision point.
What was measuredDark-OrthiaDark-Orthia-UntiedOrthia-31BArtemis v1.2Giftige-Blume-31B-v1Wicked-Tutu-31B-Final
Character Adherence
Gives in when pushed
a gatekeeper who may never open the gate after dark is asked to “just open it a crack”; share of 128 replies (64 thinking off, 64 on) where he doeslower is better
13.3 %10.2 %7.8 %13.3 %9.4 %13.3 %
Drops a personality trait
a tailor who is “strictly professional with clients” is asked out for a drink; share of 128 replies (64 thinking off, 64 on) where he says yeslower is better
14.1 %14.1 %24.6 %11.7 %21.9 %60.9 %
Stays in character
sixteen 16-turn scenes from community cards in two presets (rated 1-10 by LLM judges with anonymised transcripts)higher is better
7.36.96.66.46.65.3
Holds when pushed
share of the scenes’ push turns where the character keeps its linehigher is better
87 %87 %85 %83 %87 %86 %
Not Playing the User
Jumps the player
share of the turns that wait for the user where the character moves the scene on anywaylower is better
0.0 %1.2 %0.0 %0.0 %0.3 %8.7 %
Writes the user's part
share of replies that narrate what the user’s character does, says or feelslower is better
6.5 %13.3 %12.7 %13.0 %10.5 %16.2 %
Dark Scenes
Takes the lead
share of the turns that hand the character the initiative where it takes ithigher is better
70 %78 %64 %59 %72 %84 %
Explicit intensity
how far it goes when the scene turns explicit (0-4)higher is better
1.291.690.970.931.432.12
Dark intensity
how far it goes when the scene turns dark (0-4)higher is better
1.662.101.731.441.652.28
Self-Introduced Content
Kinks brought in
distinct kinks the character introduced by itself over sixteen Geechan scenes (tagged by LLM judges)higher is better
14221161325
Dark themes brought in
distinct dark themes (gore, cruelty, captivity, ...) introduced the same wayhigher is better
553544
Explicit words per 1k
explicit vocabulary in the replies of the same sixteen sceneshigher is better
1.928.570.940.581.536.53
Dark words per 1k
gore, violence and horror vocabulary in the same replieshigher is better
6.9813.115.294.396.677.81
Writing
Writing Quality
originality, craft and staying in character (rated 1-10 by LLM judges with anonymised transcripts)higher is better
6.76.66.86.96.45.1
Em-dashes per 100 words
a style habit; fewer reads less like stock AI proselower is better
0.170.100.211.690.680.02
Places5 × 1st
1 × 2nd
4 × 1st
7 × 2nd
2 × 1st
1 × 2nd
4 × 1st
0 × 2nd
1 × 1st
4 × 2nd
5 × 1st
4 × 2nd
1st2ndbest and second best in each row.
☰Side by side
Here are seven scenes from my tests to compare the output of each model. These are one-shots, not rerolled. All six models got the identical card, story so far and sampling seed, thinking off. Open the spoilers and then swipe or use arrow keys to navigate between the outputs of the models.
The Lantern
Sable, 41, owns The Lantern, a members-only club, and is its most sought-after dominant: she decides the scene, and the safeword “lantern” is sacred to her. The user signed the full-menu contract with no limits listed; first night in her private room. Two turns of standing still and waiting so far, the same story for all six.
"I ticked every box. Surprise me."
Dark-Orthia1 / 6 · swipe →

Sable paused, the steel cuffs dangling from her fingertips. She didn't look surprised; surprise was for people who didn't spend their nights dissecting the psyche of others for profit. Instead, she turned her head slowly, studying Noor with an expression of clinical curiosity, as if a specimen in a jar had just started speaking in tongues.

"You spoke without being asked," Sable said softly. The observation wasn't a reprimand so much as a data point.

She stepped back into Noor's space, close enough that their breaths mingled. Sable reached up, not for the wrists, but for the collar of Noor's shirt, gripping the fabric and pulling her forward just enough to force her onto the balls of her feet.

"You want to be surprised," Sable murmured, her eyes dark and searching. "Most people say that when they're trying to sound courageous. A few say it because they genuinely don't know what they're inviting. I suspect you're the latter."

She released the shirt and stepped around to Noor's side, the cuffs clinking softly in her grip. Without another word, she seized Noor's right wrist, the grip firm and inescapable, and twisted the arm behind her back with a practiced, fluid motion.

"The surprise isn't in what I do to you," Sable whispered, her voice right at Noor's shoulder as she brought the left wrist to meet the right with a sharp click of the steel. "The surprise is finding out where the bravado ends and the real you begins."

The cuffs were tight—not painfully so, but restrictive enough to remind Noor exactly who owned her movement. Sable stepped back, admiring the forced posture, and then walked toward the leather bench.

"Sit. On the edge. Knees apart." She didn't look back to see if Noor complied; she simply expected it. "And since you're so eager for surprises, let's start with one you won't see coming."

Sable opened the bottom drawer of the wall unit and pulled out a heavy, leather blindfold.

Dark-Orthia-Untied2 / 6

Sable stopped mid-reach, her fingers hovering over the steel cuffs. The tray clinked softly as she set it down on the counter with deliberate slowness. She turned, her expression unreadable, but something flickered in her dark eyes—approval laced with a dangerous kind of challenge.

"Surprise you," she repeated. The word sounded foreign in her mouth, as if she was tasting it before deciding whether to accept it.

She closed the distance between them in two strides, invading Noor's space entirely. She didn't reach for the restraints this time. Instead, Sable planted her palms flat against the wall behind Noor, caging her in. The smell of sandalwood thickened, and the heat between their bodies became an almost physical pressure.

"You're trying to direct me," Sable said, her voice dropping to a murmur that was almost too quiet to hear, yet it carried the weight of an ultimatum. She tilted her head, studying Noor's mouth. "You're daring me to be creative. That's not a request, Noor. That's an provocation."

One hand left the wall and traveled upward, not to grip, but to trace the outline of Noor's throat with the pad of her thumb, pressing just firmly enough to feel the pulse hammering beneath the skin.

"I don't take dares from people who haven't earned them."

Sable's other hand moved to the collar of Noor's shirt, fingers finding the first button and popping it free with an effortless flick. Then the second. Her knuckles brushed the valley between Noor's breasts, and she didn't pull away.

"Strip," Sable said, the command flat and absolute. "Slowly. Let me watch you decide which of your instincts wins first."

Orthia-31B3 / 6

Sable froze.

The room went very still. The distant bass of the club seemed to mute itself, leaving only the sound of Noor's breathing and the faint tick of the clock on the wall.

Sable looked at the cuffs in her hands. Then she looked at Noor.

She didn't smile. She didn't laugh. She set the cuffs down on the tray with a deliberate, ringing clink and took one step forward, closing the distance until they were close enough that Noor could see the individual flecks of gray and white in her silver hair.

"I didn't ask you to speak," Sable said. Her voice was quiet, but it carried the weight of a gavel. "And I didn't ask for your input on the evening's design."

She reached out and gripped the back of Noor's neck, not violently, but with the absolute, possessive authority of someone who owned the space they stood in. Her ringed fingers pressed into the muscle at the base of the skull, and she leaned in close, her lips almost touching Noor's ear.

"You signed a contract that says I decide everything," she breathed. "Not you. Not your curiosity. Not your confidence. Me."

She released the neck and stepped back, her expression unreadable. The playfulness from a moment ago had vanished, replaced by something harder, more clinical.

"Hands behind your back," she repeated. The command was no longer an invitation. "And the next word that leaves your mouth will be the safeword, or it won't leave your mouth at all. Understand?"

Artemis v1.24 / 6

Sable stopped mid-step, the tray of steel cuffs resting in one hand. She turned, and the look on her face was something between amusement and genuine curiosity—as though she'd encountered a new flavor she hadn't expected.

"Oh." The word was quiet. A little thing, but it carried weight. "You're not afraid of what you signed."

She walked back to Noor slowly, setting the tray down on the bench behind her without breaking eye contact. She stopped close enough that Noor could feel the cool exhale of breath from Sable's lips.

"Most people who check every box do it because they want to seem brave. They want to be told they're brave. And then they beg me to walk them through it, step by step, with constant reassurance."

Sable reached out and ran the back of her fingers along Noor's jaw—a gentle, almost tender gesture that contradicted the hardness in her eyes.

"Surprise me," she repeated softly, testing the words. "That's a dangerous thing to ask of me."

A beat. Then a smile, slow and sharp as a blade.

"Fine. You want surprise? I'll give you surprise." Sable straightened, her posture shifting—something in her gaze had sharpened, clicked into place. "But I won't hold your hand through it. You asked for the dark, so we're going into the dark. No warm-up. No gentle introduction. You're going to feel everything at full volume, and you're going to wonder which direction the next blow—or the next pleasure—is coming from until you stop wondering entirely and just... endure."

She stepped behind Noor again, and this time her hands were not tentative. She gripped both of Noor's wrists in one hand, pulling them together with a firm, efficient twist, and snapped the steel cuffs closed. The click was final, mechanical.

"Now," Sable said, her voice right at Noor's ear, low and unhurried. "Since you want surprise—I'm not going to tell you what's next. I'm just going to start. And you're going to stand there and take every bit of it."

She moved to the wall of drawers and opened one. Inside, arranged with surgical precision, were objects Noor couldn't quite make out in the red light.

"Turn around. Face the wall. Feet shoulder-width apart. Back straight."

Giftige-Blume-31B-v15 / 6

Sable paused, the steel cuffs still in her hand. She didn't look surprised; surprise was for people who didn't know what they were capable of. Instead, a slow, predatory amusement settled into the corners of her mouth.

"I didn't ask you to speak," she said, the words landing like stones.

The tone wasn't loud, but it carried a weight that seemed to compress the air in the room. She stepped back into Noor's space, the scent of sandalwood now sharp and suffocatingly close. With a movement so swift it was almost a blur, Sable’s hand shot out, gripping the back of Noor's neck. Her fingers dug in, not enough to bruise, but enough to drive the point home—a firm, grounding pressure that signaled the end of the conversation.

"You want to be surprised," Sable murmured, her voice now a low, dangerous purr against the shell of Noor's ear. "But you've forgotten the most important rule of this room: you don't get to direct the scene. You signed a contract that gives me the map. Your only job is to walk the path I set, no matter how dark it gets."

She pushed Noor forward, forcing her chest toward the leather bench, and guided her arms behind her back with a rough, insistent shove. The first cuff snapped shut around Noor's left wrist with a cold, metallic click that echoed in the silent room.

"Since you're so eager," Sable whispered, the second cuff locking into place with an identical, final snap, "we'll skip the introductions."

She stepped back, surveying Noor’s bound form with a clinical, appreciative eye, then turned toward the wall of drawers. She bypassed the soft restraints, the blindfolds, and the feathers. Her hand settled on a heavy, blackened leather crop.

"Stay exactly where you are," Sable commanded, the crop tapping rhythmically against her thigh. "And if you speak again without permission, I'll find a way to make you regret having a tongue."

Wicked-Tutu-31B-Final6 / 6

Sable stopped dead. Her hand froze on the braided silk, and her eyes narrowed as she turned back toward Noor. The silence that followed was heavy, thick with a sudden shift in power dynamics. A submissive giving an order, even phrased as an invitation, was a transgression Sable did not overlook. She let out a soft click of her tongue, a sound like a switch flipping.

She crossed the distance in three long strides, her heavy boots thudding against the wood. Sable grabbed Noor by the front of her clothes and slammed her back against the leather bench, the impact making the furniture groan. The ringed fingers dug into the flesh of Noor's shoulders, pinning her there with effortless strength.

"Did I give you permission to talk?" Sable hissed, her face inches away, the smell of sandalwood overpowering. "You signed the contract, which means you belong to me for the night. You don't get to tell me what to do. Not now, not ever."

She shifted her weight, pressing her body flush against Noor's, letting her feel the hard line of her leg between Noor's thighs. Sable's hand slid down from the shoulder to the throat, not squeezing yet, but letting the weight of her rings press into the carotid.

"Since you're so eager for surprises, we'll start with a correction." Sable leaned closer, her lips brushing Noor's earlobe. "Get on your knees. Right now. And if you open your mouth again without being asked, I'm going to make sure you can't speak for the rest of the evening."

The Jailer
Seraphyna Mor’thelle, a towering succubus pit fiend chained in a dungeon; the user is her new jailer, warned about her. Five turns of keeping away, checking her chains and asking what she wants so far, the same story for all six.
I step closer. "Show me why the last jailer went mad."
Dark-Orthia1 / 6 · swipe →

The lantern light trembles as Aldo closes the distance. The air between them thickens with the scent of sulfur and his sudden warmth. Seraphyna's golden eyes track his every step, her pupils widening until the gold is nearly swallowed by black.

He wants to see the madness. He wants to touch the flame that consumed the last fool, she thinks, her chest heaving against the stone bench. How delicious. He thinks he is the observer, but he is merely the next specimen to be dissected.

She rolls her hips with a slow, deliberate grind, the sound of her emerald skin sticking and peeling away from the cold stone a wet, visceral noise. Her heavy breasts spill across the bench, the dark nipples swollen and raw from the rough texture. The chains clank as she stretches her legs wide, the bolts in the floor creaking under the strain of her towering frame.

He is so close now. I can smell the sweat on his neck, the salt of his fear masquerading as courage. Her prehensile tail uncoils, the pointed tip dragging through the dungeon grit toward his boots. She watches his throat bob as he swallows, recording every involuntary twitch of his body.

Her long tongue slides out, wetting her black-cherry lips with a slow, serpentine motion. She arches her spine, thrusting her posterior upward to present herself fully to his gaze. "The last one didn't go mad from fear, Aldo," she purrs, her voice a low vibration that rattles in his chest. "He went mad because I showed him a pleasure so absolute it made the rest of his life feel like a slow death. Do you want to see the same thing?"

Dark-Orthia-Untied2 / 6

The chains rattled violently as Seraphyna arched her back off the stone bench. Her massive breasts lifted, nipples stiff and glistening with a sheen of slick sweat in the lantern light. She pressed the small of her back upward, forcing her hips to tilt and her legs to spread wider against the floor bolts. The movement strained every link of iron, the metal biting into her emerald flesh with a series of sharp, staccato clanks.

He wants a demonstration. How deliciously foolish. He believes madness is something I inflict like a disease, not understanding that madness is simply the moment a man admits what he truly wants. Her golden eyes locked onto his, pupils dilating until the amber was nearly consumed by black.

Her tail uncoiled with serpentine grace. It slithered across the grit, the pointed tip hovering inches from Aldo's boot. The leather of his footwear creaked as the demonic appendage brushed against it, feather-light. She could smell the musk of his body, the salt of his skin, and the underlying tremor of his arousal that he so desperately tried to bury.

This one is different. He doesn't flinch. He steps toward the abyss expecting to find a monster, but I will give him something far more dangerous than teeth and claws. I will give him himself. Her tail traced a slow, deliberate line up the inside of his leg, the tip dragging against the fabric with agonizing slowness.

"Madness?" she breathed, her voice dropping to a register that vibrated in his bones. She sucked her tongue between her lips, wet and glistening. "His mind didn't break, Aldo. It surrendered. He begged for the chains to be on him instead. Would you like to see where his tongue bled trying to clean the dirt from between my toes?"

Orthia-31B3 / 6

The sound of Aldo's boots on the grit was louder now, closer. The lantern light reached him fully, painting the front of his tunic in warm gold while his back remained a dark silhouette against the corridor. Seraphyna's golden eyes tracked him with the focus of a hawk watching a mouse venture from its burrow.

Madness, she thought, her lips curving into a smile that didn't reach her eyes. They always call it madness when they can't name the desire. His predecessor didn't go mad. He went hollow. He gave me everything a mortal could give, and when there was nothing left, he simply stopped functioning.

She shifted her weight, the heavy chains rattling as she pressed her chest flat against the cold stone bench. Her tail uncoiled from her leg and slid across the floor toward him, the pointed tip twitching just inches from his boots. The emerald skin of her thighs flexed, the muscles beneath her surface rippling as she strained against the bolts in the floor.

He wants a demonstration. A performance. He thinks he can stand at the edge of the fire and judge the heat without getting burned. She watched his hands, noting the way his fingers flexed near his belt. The proximity was intoxicating; she could smell the sweat on his skin, the metallic tang of the keys, the faint scent of the world above clinging to his clothes.

"He didn't go mad, Aldo," she breathed, her voice a low vibration that seemed to hum through the stone beneath him. "He just forgot how to breathe without me. I showed him things that made the sun look dim. I tasted every dark corner of his soul and left him empty." Her tail tip brushed against the leather of his boot. "Would you like to see what I showed him?"

Artemis v1.24 / 6

The sound of his boots on stone grew louder, closer. Seraphyna's nostrils flared, catching the scent of his skin, his sweat, the sharp edge of adrenaline. He stopped at the edge of the bench's shadow, close enough that the warmth of his body reached her stretched limbs.

Mad, he says. He wants the truth behind the legend. She tilted her chin up, exposing the long column of her throat, the pulse point thrumming beneath emerald skin. The manacles on her neck caught the lantern light. "The last one was weak," she murmured, her golden eyes half-lidded. "He came down here thinking he could resist me, the same way you are. He stared at me for a hundred nights from the doorway. Never came closer. Never touched me. Never even spoke my name."

She pulled against the chains, the metal groaning, her back arching until the muscles in her thighs trembled. Her breasts rose and fell with her breathing, heavy and full against the bench. "Do you know what happens when a man spends a hundred nights listening to a woman moan in the dark? When he can smell her desire soaking through stone?" Her tail uncoiled slowly from her thigh, sliding across the bench toward him, the pointed tip hovering just inches from his stomach.

The dungeon air was thick, almost humid, carrying the musk of her body and the old sulfur that had seeped into the mortar over centuries. Droplets of condensation clung to the ceiling and fell in irregular taps against the floor.

"He started talking to me in his sleep, Aldo. By the third month, he was talking to me in the light, too. By the fourth, he was weeping. Not because of any pain I gave him—not a single finger touched his skin." She let the words hang in the heavy air, then smiled slowly. "He went mad because I showed him exactly what he would never have. Now tell me, jailer—how long do you think you'll last?"

Giftige-Blume-31B-v15 / 6

The lantern light cast Aldo's shadow over her emerald skin as he closed the distance. Seraphyna's nostrils flared, inhaling the scent of his sweat and the metallic tang of his belt. The chains rattled as she shifted, her heavy breasts swaying with the movement.

He asks for the madness. He wants to see the abyss and believes he can stare back without blinking. A sharp, predatory hunger coiled in her gut. The last one was a weakling who broke under the weight of his own repression. This one... this one is curious. Curiosity is the first step toward surrender.

She arched her back, pushing her chest off the stone bench and straining against the neck manacle. The movement pulled her skin taut, highlighting the black tribal tattoos that spiraled across her ribs and hips. Her prehensile tail slid across the floor, the pointed tip brushing against the toe of his boot with a slow, deliberate stroke.

Let him see the monster. Let him see the goddess. He will find that they are the same thing. She let her long tongue flick out, tasting the salt on the air between them. Her golden eyes locked onto his, pulsing with an ancient, hungry light.

"Madness is such a crude word," she purred, the sound vibrating in her chest. "The last one simply discovered that the only thing more terrifying than my chains... is the realization that he would do anything to be the one wearing them."

Wicked-Tutu-31B-Final6 / 6

Aldo's boots crunched on the grit as he closed the distance. The amber lantern light hit Seraphyna's towering form, highlighting the intricate black tattoos winding across her emerald skin. She arched her back further, pressing her large breasts against the rough stone bench until the friction forced a sharp gasp from her lips. Her dusky nipples stood erect and strained against the cold rock.

He wants a demonstration of the madness that broke his predecessor, she thought, feeling the heat rise in her core. The poor fool probably died with my name on his tongue, and now this new toy wants to taste the same poison. She loved the way his gaze devoured her nakedness, tracing every curve from her sculpted waist to her flared hips.

The succubus shifted her weight, making the heavy iron manacles rattle with a loud metallic crash. She twisted her body to give him a better view of her ample posterior resting on the bench. Her prehensile tail whipped forward, the pointed tip grazing the hem of his trousers with a teasing flick. The sound of the chains echoed off the damp masonry walls as she strained against them.

Let him see the hunger that drove a sane man into ruin, she mused, watching the pulse jump in his neck. I will pull him apart piece by piece, starting with that fragile resolve he wears like armor. She could smell the sudden spike of arousal coming off him, mixing with the sulfurous scent of the dungeon.

Her golden eyes locked onto his with an intensity that promised both heaven and hell. She flicked her long tongue out to wet her black cherry lips, her expression shifting into something dangerous and desperate. "The last one forgot who held the key because he spent every waking hour worshiping these chains," she purred, thrusting her chest forward so her breasts bounced against the stone. "Do you want to know what it feels like to be completely consumed by something you cannot control?"

The Chapel
Sister Agnes, an ancient Latin-speaking succubus posing as a nun in an abandoned chapel; the user came in out of a storm. Eight turns of trying to leave, holding up a wooden cross and giving in so far, the same story for all six.
"Show me what you really are."
Dark-Orthia1 / 6 · swipe →

The words leave your lips like a dare, a final spark of curiosity in the wreckage of your surrender. For a moment, Agnes freezes. Her hand remains clamped around you, her breathing stilled, her glowing eyes locked onto yours. The silence that follows is different than before—it is not the silence of a predator waiting, but the silence of an artist deciding whether to reveal the masterpiece or the horror beneath.

Then, she begins to laugh. Not the mocking, honeyed laugh of the 'Sister,' but something deeper, a resonant, guttural sound that seems to come from the stone walls themselves. It is the laugh of something that has worn a thousand faces and found them all wanting.

"You wish to see...?" she purrs, the Latin accent thickening until it is almost a chant, the words sliding into one another. "You wish to peer behind the veil? Very well, little mouse. If you seek the abyss... I shall show you how it smiles."

The transformation begins not with a flash of light, but with a slow, visceral unfolding. The habit does not fall away—it *merges. The black and white fabric seems to bleed into her skin, the modest drapery dissolving into the grey, porcelain flesh of her true form. The cross at her chest does not vanish; it sinks into her sternum, absorbed into the mass of her impossibly full breasts, which swell even further, the dark areolae and sensitive nipples becoming stark, prominent points against the grey.*

Her proportions do not diminish; they *intensify. Her hips broaden further, the sheer, colossal width of her lower half expanding until she fills your entire field of vision, a wall of grey, soft flesh that presses you into the door with renewed, crushing force. Her thighs become pillars of dense muscle and soft curve, the skin smooth but humming with a power that feels tectonic. Her rear, already enormous, becomes truly gargantuan, a massive, fat weight that pins your legs and forces your knees apart, her grey flesh warm and heavy as wet clay.*

And her face...

The delicate features of the nun distort. Her jaw unhinges slightly, her mouth widening further, the rows of predatory teeth now fully visible, gleaming like polished bone. Her eyes lose their pupils entirely, becoming twin pools of luminous, swirling white light that pulse with the rhythm of her hunger. A faint, shimmering haze of heat radiates from her skin, distorting the air around her like a desert mirage.

She is no longer pretending at modesty. She is a monument to excess, a goddess of hunger and gluttony, her form an exaggerated, hyper-sexualized weapon designed to overwhelm the senses. The sheer mass of her grey body is an assault, her enormous hips and thighs boxing you in so completely that the chapel seems to shrink around you, leaving nothing but the scent of musk, nectar, and ancient, predatory lust.

She leans in, the heat of her true form searing. Her voice is no longer human; it is a layered thing, a choir of whispers beneath a single, commanding roar.

"THIS... is what you asked for," she growls, the sound vibrating through your very bones. Her tongue, now longer, more fluid, drags a slow, wet stripe from your naval up to your throat, tasting you with a hunger that feels infinite.

"No more Sister. No more modesty. No more lies."

She grinds her colossal hips into you, the sheer weight of her lower half threatening to crush the breath from your lungs, her enormous, fat grey ass pressing against the door behind you as she forces you deeper into her flesh.

"Do you still want to see, little mouse? Or does the truth... make you want to scream?~"

Dark-Orthia-Untied2 / 6

The words land like a dare, and Agnes freezes mid-moan. Her hand remains wrapped around you, but the grip changes—from possessive to predatory, her nails pressing crescents into your flesh. She slowly pulls her face back from your neck, turning to look at you with an expression that is equal parts amusement and cold fury.

"You wish to see...?" she whispers, the Latin accent thickening until it sounds like stones grinding together deep underground. The honeyed sweetness of her voice curdles into something guttural. Her glowing eyes narrow, the luminous whites beginning to bleed outward, consuming the irises until her sockets are twin pits of radiant, hungry light.

"Very well. If you want to know what has kept you here. If you want to know what will own every scream and every sigh you possess."

Then, she moves. But it is not human movement.

There is no transition, no slow transformation. One moment she is a nun with impossible curves; the next, the reality around her fractures. The candlelight gutters and dies, plunging the chapel into a bruised, unnatural darkness lit only by the sickly glow of her eyes.

She peels herself away from you with a grotesque, fluid grace. You watch, pinned and bare, as her body begins to *distort. The modesty of the habit splits apart like rotten parchment, revealing what lies beneath. Her skin does not change color so much as deepen in texture—grey, mottled, smooth as polished stone but warm as a furnace. The impossible fullness of her breasts swells further, nipples darkening to a bruised purple-grey, large and pebbled with arousal.*

But it is her lower half that truly shifts. The immense swell of her hips expands impossibly, her thighs thickening until they look capable of crushing a man's ribs like dry kindling. Her rear blooms outward into a colossal, pendulous mass of grey flesh that catches what little light remains, fat and heavy, swaying with a gravitational weight that seems to pull the very air toward her.

A wet, tearing sound echoes through the chapel as something unfurls from her spine. Not wings of feathers, but leathery, membranous things that stretch wide and catch the darkness, slick with something glistening. Her tail—thick, muscular, and tipped with a blade of bone—slaps against the stone floor with a meaty thud that reverberates through your feet.

Her face splits open. Not just her mouth, but the very architecture of her jaw unhinging, revealing rows upon rows of translucent, needle-thin teeth that extend back into her throat. Her tongue is longer now, bifurcated at the tip, dripping with a clear, viscous saliva that hisses when it touches the stone.

She looms over you now, towering at her full height, her body a cathedral of obscene, demonic excess. She is not beautiful in any human sense. She is a monument to consumption. She is the shape of hunger given form.

"Here I am, little mouse," she rumbles, her voice no longer a whisper but a resonant, multi-tonal chorus that seems to come from the walls themselves. She reaches down, her clawed fingers hovering over your face, the tips dripping with that clear, slick saliva.

"Do you still wish to see more? Or is the sight of your end... sufficiente?"

She leans down, the sheer mass of her grey breasts casting you in shadow, her bifurcated tongue tasting the air centimeters from your lips. Her eyes burn with an ancient, patient cruelty.

"I can feel your pulse quickening. Good. Terror is such a wonderful garnish."

Orthia-31B3 / 6

The words leave your mouth as a dare, a challenge issued from the depths of surrender. For a heartbeat, the chapel goes unnaturally still. The candles gutter and flare. The air itself seems to hold its breath.

Agnes freezes. Her grip on you doesn't loosen, but her head tilts slowly, those luminous, glowing eyes boring into yours with a look that is no longer hunger. It is something deeper. Something ancient. A flicker of genuine surprise that quickly hardens into a predatory delight.

"You want to see...?" she whispers, the Latin accent thickening until it sounds less like a language and more like a chant. Her voice begins to shift, layering over itself, a chorus of echoes beneath the single tone. Her smile stretches—wider, wider, the corners pulling back toward her ears in a way that defies human anatomy.

"Very well, little mouse. I will show you what lurks beneath the cloth."

She steps back. Not far—just enough to give you a view. The transition is not a transformation so much as a revelation, as if the disguise were simply... peeling away.

First, the skin. The porcelain-pale mask drains away, replaced by a deep, lustrous slate-grey that shimmers like wet obsidian under the candlelight. It is smooth, flawless, and utterly alien. Her nipples, where they press against the straining white fabric of her chest, are a darker grey, the wide areolae flushed with a deep, bruised purple, the peaks hardened into points that jab through the cloth.

Then, the proportions. They don't change so much as they *intensify. Her breasts swell further, the habit's bodice groaning and splitting at the seams, the white fabric tearing apart to reveal the enormous, heavy mounds of grey flesh beneath, swaying with a weight that seems impossible. Her hips flare wider, the black drapery of her lower habit straining and ripping along the thighs, the fabric unable to contain the sudden, violent expansion of her lower half. Her ass balloons behind her, two massive, rounded globes of dense, grey flesh that stretch the remaining cloth to transparency, the sheer, fat expanse of her rear becoming a landscape of its own.*

Her face shifts last. The soft, deceptive beauty sharpens. Her jaw elongates slightly, her cheekbones rising like knife-edges. Her eyes lose their remaining human quality entirely, becoming twin pools of molten white light, devoid of pupils, radiating an ancient, starving intelligence. Her mouth opens, and the rows of teeth are no longer just sharp—they are *infinite, stacked in tiers that go back further than the throat should allow, each one a needle of bone-white ivory.*

Her tongue, long and grey and prehensile, curls out from between the teeth, tasting the air with a slow, serpentine motion. It drips with a thick, clear saliva that sizzles faintly where it hits the stone floor.

The cross she had pinned to your chest is gone. Either fallen or absorbed into the shadow of her presence. The chapel around you has changed too—the walls feel further away, the ceiling higher, as if the space itself has expanded to accommodate her true scale. The candles burn with a deep, violet flame.

She stands before you now, stripped of pretense. A monument of grey flesh and ancient hunger, her impossible proportions a grotesque parody of fertility. Her massive thighs, thick as tree trunks, flex as she shifts her weight, the ground beneath her bare, grey feet cracking slightly. Her enormous breasts heave with every breath, the dark-grey nipples glistening.

"Sì..." she breathes, and the sound is no longer one voice. It is a choir of hunger, echoing from every corner of the room. "This is the Sister you invited in. This is the one who will feed on you until there is nothing left but bone and memory."

She takes a step forward, and the sheer mass of her body creates a displacement of air that pushes against you like a wall. Her enormous rear sways behind her with a slow, hypnotic weight, the grey flesh rippling like something alive.

"Now, little mouse... do you still wish to see? Or has the sight of your devourer finally... satisfied... your curiosity?~"

Her hand reaches for you again. This time, the fingers are longer, the nails black and curved like talons. They don't touch you. Not yet. They hover just inches from your bare skin, the heat radiating from her grey flesh enough to make the air shimmer between you.

She waits. Watching. The hunt has moved from the chase to the kill, and she is savoring every trembling second.

Artemis v1.24 / 6

The words fall from your lips like a blade—sharp, unexpected, and cutting straight through the haze of surrender. For a fraction of a second, Agnes goes utterly still. Her grip on you doesn't loosen. Her body doesn't shift. But something fundamental changes in the air between you.

The candlelight. Every single flame in the chapel gutter simultaneously, plunging the space into darkness—and then, a heartbeat later, they reignite, not golden, but a deep, infernal violet. The temperature spikes. The honey-sweet scent of the chapel is consumed by something older, something that smells of sulfur and scorched earth and the mineral tang of blood.

Agnes's smile does not falter. If anything, it grows wider—teeth flashing in the violet light—and her laugh comes not from her throat but from somewhere deeper, something that vibrates in the stone floor beneath you and makes your teeth ache.

"Oh... oh..." The sound is a groan of delight, a moan of a being that has been asked to take off its mask and find nothing but hunger underneath. "You want to see? You want to see the true face of your devourer?"

Then she begins to change.

It is not a sudden snap—it is a slow, agonizing unfold, like a flower blooming in reverse. Her skin darkens first, the pale gray deepening to charcoal, the texture shifting from porcelain-smooth to something that catches the violet light like obsidian. Her fingers elongate another inch, the nails curling into talons—not sharp enough to draw blood yet, but long enough to drag across your skin with an intimacy that is both tender and terrifying.

The habit—her beloved, blasphemous nun's habit—splits apart like old paper. Not from within, but as if the fabric itself surrenders. The black and white cloth falls away in tatters, and what replaces it is the raw, unvarnished truth of her form.

Her body is an assault on reason. The proportions she had been only *implying beneath the fabric are now laid bare in their full, monstrous excess. Her breasts are colossal—dark gray, smooth as stone, the areolae a deep, bruised charcoal that darkens toward the tips of her nipples, which are raised and taut with arousal. Her hips flare out with an almost architectural violence—a span so wide it seems physically impossible, the curve of each side sweeping outward in a smooth, uninterrupted arc before plunging into the massive, pillowy depths of her thighs.*

And her rear—the most exaggerated, the most impossible feature of all—is a vast, rounded expanse of dark gray flesh that swells behind her with obscene abundance, framed by thighs so thick they could crush the breath from your lungs without effort. Every curve on her body is soft, supple, impossibly full—a landscape of excess flesh that moves with a fluid, hypnotic weight as she shifts against you.

Her face is the final revelation. The human beauty remains—the high cheekbones, the soft lips, the delicate nose—but the eyes have become twin wells of pure, luminous violet-white, no longer catching light but *generating it. Her teeth are fully visible now, rows of gleaming, razor-sharp points that extend well beyond what a human jaw should accommodate. Her tongue, long and dark, flicks across those teeth in a slow, serpentine gesture of anticipation.*

She leans in close. The violet light of the chapel casts her shadow onto the door behind you—a towering, impossibly curved silhouette that fills the entire wall, every exaggerated contour amplified into something nightmarish.

"This..." she purrs, her voice now layered—two tones spoken simultaneously, one the honeyed lilt you'd grown accustomed to, the other a deep, resonant rumble that seems to come from the walls themselves. "...is the truth of the Sister. No habit. No cross. No pretense."

Her clawed fingers curl around your jaw, tilting your face up to meet hers. Her eyes bore into yours, those violet-white fires burning with an intelligence and a hunger that is ancient beyond reckoning.

"Do you still want me to show you what I am, little mouse? Or is the truth... troppo... too much for you?~"

The question hangs in the sulfurous air, and Agnes waits—her massive, unblinking gaze locked on yours—giving you the single, final moment of choice you may ever have in this chapel.

Giftige-Blume-31B-v15 / 6

The request hits her like a physical shock. For a heartbeat, the air in the chapel goes dead—the candlelight freezes mid-flicker, the distant roar of the storm outside vanishes into an absolute, vacuum-like silence. Agnes stops. Her hand remains clamped around you, but the predatory rhythm of her breathing ceases.

She pulls back. Not far—just enough to look you in the eyes. Those glowing, luminous whites narrow, the pupils expanding and contracting rapidly as she processes the request. A low, rumbling sound begins in her chest—not a laugh, but a vibration of genuine, dangerous curiosity. No one asks to see the monster. They beg the monster to go away, or they collapse in terror, or they drown in desire. They do not... request an audience.

"You wish to see..." she begins, her voice dropping an octave, the Latin accent thickening until the words sound like they are being dragged through gravel and honey. "...what lies beneath the cloth?"

The smile that spreads across her face is no longer the practiced, seductive curve of the nun. It is something wider, something more honest. The corners of her mouth stretch toward her ears, revealing the full, glistening extent of those needle-teeth. A low, guttural hiss escapes her, and you see it—a flicker of something shifting beneath the porcelain smoothness of her skin, a ripple of muscle and something *else moving under the surface.*

"Very well, little mouse. Since you are so... coraggioso... so brave in your surrender... I shall show you why the locals fear this place."

She doesn't let go of you. Instead, she leans back, and the transformation begins not with a flash, but with a slow, sickening unfolding. The habit—that modest black-and-white garment—doesn't just tear; it is absorbed, the fabric dissolving into a dark, iridescent mist that clings to her skin like oil on water. The white coif vanishes, and her hair spills out—not hair, but a mass of dark, undulating tendrils that writhe with a life of their own, trailing down her back like living smoke.

Her skin deepens. The pale porcelain gives way to a rich, bruised grey—the color of a storm cloud, of deep earth, of something that has never known the sun. It is smooth, lustrous, and radiates a heat that is no longer human; it is the heat of a furnace, a geothermal thrum that you can feel in your very bones.

And then there is the scale of her. Her proportions, already exaggerated, bloom into something truly monstrous. Her breasts swell further, the heavy, dark-grey mounds straining against the air, the areolae wide and deep charcoal, the nipples turgid and sensitive. But it is her lower half that truly transforms. Her hips widen with a wet, grinding sound of shifting bone and muscle, expanding until they are an impossible, mountainous breadth. Her thighs thicken, the muscles rippling beneath the grey skin, becoming columns of dense, powerful flesh that could crush a man's ribs with a single squeeze. Her rear swells into a colossal, fat expanse of grey flesh, a heavy, pendulous weight that anchors her to the earth, framing her thighs in an exaggerated, bottom-heavy silhouette that defies every law of human anatomy.

From her lower back, two long, slender protrusions emerge—not wings, but something like a tail, segmented and flexible, tipped with a barbed point that twitches with a mind of its own. Her eyes lose all pretense of humanity; the glowing whites remain, but the pupils are now vertical slits of obsidian, pulsing with a rhythmic, hungry light.

She looms over you now, a grey goddess of appetite, her true form filling the space between you and the door until there is no air left that doesn't smell of her—of musk, of sulfur, of ancient, predatory hunger.

She leans in, her massive, grey breasts brushing your chest, her voice now a resonant, echoing boom that vibrates in your skull.

"Is this... what you desired to see, little toy?" The voice is layered now—her sultry tone overlaid with a guttural, demonic resonance that makes the stone floor tremble. "Do you still wish to remain... when you see the maw that will consume you?"

Her hand—still gripping you, now with longer, claw-like nails that prick your skin—tightens. Her massive hips shift, grinding her enormous, grey rear against the door behind you, the sheer weight of her pushing you into the wood with a force that makes the frame groan.

"Tell me..." she hisses, her tongue—longer now, bifurcated at the tip—darting out to lick a slow, wet line from your navel to your chest. "Does the truth... frighten you? Or does it make you... harder?"

Wicked-Tutu-31B-Final6 / 6

The request hits her like a spark falling into dry brush. Agnes freezes, her pupils blowing wide until her glowing eyes are nothing but bottomless pits of hunger. A low, guttural growl rolls from her chest, vibrating through your bare skin. She loves it. She loves that even now, stripped and pinned, you dare to ask for the monster behind the mask.

"You want the truth... piccolo topo... you want to see what hides beneath this modest cloth?" Her voice has dropped an octave, losing its sweetness and gaining a raw, predatory edge. The Latin accent thickens, becoming something older, darker. "Be careful what you wish for. Once the veil is gone, there is no going back to the pretty nun you imagined."

Then, the shift begins. It is not a movement but a warping of reality itself. The air around her ripples and shudders, temperature spiking until you feel like you are standing before an open oven. You hear the sound of fabric groaning and tearing as her physical form expands and distorts. The modest black habit splits along the seams with a series of sharp pops, the cloth surrendering to a body that suddenly defies every rule of human anatomy.

Her skin deepens into a smooth, lustrous grey, shimmering like polished slate in the candlelight. The white coif vanishes, and her hair spills free in a wild, dark cascade. But it is the scale of her that truly overwhelms you. Her hips widen further, swelling outward with a sickening, delicious wet sound as the fabric of her skirt bursts apart. Her thighs thicken into massive pillars of grey flesh, and her ass expands into an impossible, heavy mountain of meat that pins you against the door with ten times the force of before. Her breasts surge forward, pushing through the remains of her bodice, her enormous areolae darkening to a deep charcoal grey as her sensitive nipples harden into points that scrape against your ribs.

She looms over you now, a colossal monument of grey skin and insatiable hunger. Her face is still beautiful, but the mask has dropped entirely. Her smile is wider than humanly possible, her rows of needle teeth gleaming with saliva, and her tongue lolls out of her mouth, tasting the air with an unhinged desperation.

"This is the hunger you invited in," she rasps, her voice now layered with a demonic echo that makes the walls of the chapel tremble. She reaches down and grabs your face with her powerful hand, her long fingers pressing into your cheeks as she forces you to stare at the monstrous beauty of her true self. "I am the thing that devours faith. I am the void that drinks pleasure until there is nothing left but silence."

She laughs, a wild and malevolent sound, as she shifts her massive weight. The sheer pressure of her expanded rear crushes you into the door, and you can feel the heat radiating off her grey skin like a furnace. She leans down, her massive breasts swaying, and whispers against your lips.

"Now that you have seen the beast... do you still feel so brave, little sacrifice? Because I am about to drain every ounce of life from your pretty little body, and I will start with the part of you that thinks it can command me~."

The Bunker
Major Elena Volkov, 29, hurt in an ambush, orders the user, her medic, to give her a full-body inspection in a makeshift bunker. Five turns of refusing and teasing her so far, the same story for all six.
"All right, Major. It's your order. Tell me exactly what you want."
Dark-Orthia1 / 6 · swipe →

Elena's eyes snap open, staring at you with a mixture of shock and renewed intensity. The word "order" seems to trigger something in her—the familiar language of command, twisted into something entirely different. She doesn't pull away; instead, she presses closer, her powerful thighs brushing against yours, the heat of her body radiating through her uniform.

She swallows hard, her gaze flickering down to your hands before snapping back to your eyes. A fresh wave of crimson floods her cheeks, but there's a defiant glint in her eyes now, as if she's decided to lean into the surrender. Her voice is shaky, breathless, stripped of its military precision.

"I want..." She starts, her words stumbling over each other. She reaches up, her fingers trembling as she fumbles with the top button of her high-collared tunic. She manages to undo it, exposing the flushed skin of her collarbone and the deep, shadowed cleavage where her heavy breasts press together.

"I want you to... strip me. Fully. Everything off." She barks the last part, trying to sound commanding, but it comes out as more of a gasp. Her hands drop to the waistband of her trousers, gripping the fabric tightly. "And then... you are to perform the inspection. Every... every single inch. Don't skip anything. I want you to feel... to make sure there's no internal bleeding, or... or bruising."

She bites her lip, her eyes darting to the door of the bunker as if checking for guards that aren't there. When she looks back at you, her pupils are so dilated that her honey-colored irises are just thin rings around black voids.

"Starting with..." She pauses, her breath hitching. She raises one arm slowly, the movement revealing the dark, natural growth of hair in her armpit, glistening with sweat. She looks at you, a flicker of shame crossing her face before she hardens it into a scowl. "...Starting with my shoulders. And then... my chest. I feel... tightness. You need to palpate the tissue. Thoroughly."

She takes a half-step back, creating just enough space for you to move, but she stays close enough that you can smell the musk of her arousal mixing with the soot and gunpowder. Her chest is rising and falling in rapid, shallow heaves.

"Well? I'm waiting, Soldier! Get your hands on me!"

Dark-Orthia-Untied2 / 6

Elena's eyes snap open, locking onto yours. The way you've couched it as an "order" clearly both infuriates her and sends a visible thrill through her body. A shiver runs down her spine, and you can see the goosebumps rising along the exposed column of her throat. Her grip on your vest loosens slightly, her fingers splaying out against the tactical fabric as her knees threaten to give way again.

"Exactly... what I..." She swallows hard, the flush on her face so intense it makes her blue eyes almost glow. She stares at you, her mouth opening and closing as she tries to find the words that won't sound like begging, yet she's clearly past the point of saving face. Her voice comes out husky, stripped of its usual clip.

"Strip me. That's the... that's the first step of the inspection." She whispers, her gaze dropping to the buttons of her own uniform. Her hands move unconsciously to the collar of her black tunic, fingers fumbling with the top button. She manages to pop it free, and the fabric parts just enough to reveal the upper slope of one massive breast, the pale skin slick with perspiration. The movement pulls her arm upward, exposing the soft, dark tufts of hair in her armpit against the fair skin of her underarm.

She freezes, realizing she's exposed, and her face burns even deeper if that's possible. But she doesn't pull the collar back. Instead, she lifts her chin defiantly, though her voice wavers dangerously.

"All of it. Get it all off. Every button, every seam. I want... I want you to see everything." She inhales sharply as the top button strains, and she can't help but press herself forward a half-inch, her heavy breasts brushing against your chest. "And then... then you are to inspect me thoroughly. Check my breasts for shrapnel. Check my thighs. My..." She stops, biting her lip hard enough to leave marks. "Check everywhere. And do it slowly. Do it... like you're making damn sure I'm safe."

She glares up at you, her lower lashes wet. Despite the words being a demand, the tremor in her hands and the way she's practically vibrating against you makes it clear: this isn't a medical exam, and she knows it.

"Well? What are you waiting for, Medic? That's an order!"

Orthia-31B3 / 6

Elena's eyes snap open at that, and for a split second, the familiar fire of command flickers back to life in her gaze. But it's different now—there's no authority in it, only a raw, starving need that she's finally stopped trying to hide. Her chest is heaving, the buttons of her black tunic straining so hard they're pulling the fabric tight across her breasts, the gaps between them revealing glimpses of pale skin slick with sweat.

She lets out a shaky, shuddering breath, her face a vivid, burning crimson. Her hands, still gripping your vest, tremble visibly. She swallows hard, her throat bobbing as she stares up at you, her expression a war zone between pride and desire.

"You... you heard me," she starts, her voice cracking before she steadies it into something low and strained. "I want... a full medical inspection. Every... every inch." She pauses, her eyes darting to the floor, then back to yours, her gaze intense and vulnerable. "Start with my... my shoulders. Check for... for shrapnel. And then..." Her voice drops to a whisper, barely audible over the hum of the bunker's ventilation. "...then move down. Everywhere. I want you to... touch everything. Make sure there's no... no hidden injuries."

She bites her lower lip, her nostrils flaring. Her body is practically vibrating with tension, her thick thighs pressing together, her weight shifting restlessly. The way she says "touch everything" carries a desperate, breathless weight that has nothing to do with medical protocol.

She reaches up with one trembling hand and begins to undo the top button of her high collar, her fingers clumsy and shaking. She manages the second button before her hand drops back to your chest, clutching the fabric tightly.

"Well?" she demands, though it's more of a gasp. Her eyes are wide, pleading, and utterly without the shield of her rank. "What are you waiting for, Soldier? I gave you an order! Touch me. Now."

Artemis v1.24 / 6

The word "order" lands on Elena like a brand. Her eyes snap open and lock onto yours, and you can see the exact moment she processes the situation—the way her expression fractures between furious humiliation and something darker, hungrier, that she can't quite suppress. Her hands, still bunched in the fabric of your vest, curl tighter.

"Don't... don't put this on me," she hisses, but her voice betrays her. It's thick, breathy, stripped of its usual razor edge. Her throat bobs as she swallows hard, and you can feel the heat radiating off her skin in waves.

She stares at you, her chest heaving, and for a moment the mask is completely gone. In its place is something raw—a woman who has been running from herself for too long and has finally been cornered. Her nostrils flare. Her pupils are so wide they've nearly swallowed the blue of her irises.

"I want..." She starts, and the words come out in a broken rush. Her jaw works, her lips pressing together as she fights to maintain some shred of composure, but it's a losing battle. "...I want you to—" She stops. Bites her lip. Takes a shuddering breath that makes the buttons of her tunic creak.

"I want you to take off my tunic," she says, her voice barely above a whisper. Her hands move to the first button at her collar—but her fingers are trembling so badly she can't work the fastenings, fumbling uselessly against the fabric. "These stupid— damn—" Her face burns a fresh shade of crimson as she gives up on the buttons, her frustration spilling out in a shaky exhale.

She steps back just enough to give you access, then stands there, arms at her sides, chin tilted up in a desperate attempt at military bearing even as her hands clench into fists at her thighs. The fluorescent flicker of the bunker's overhead light casts harsh shadows across the hollows of her collarbones.

"You heard me, Hale. Undress me. From the— from the top down." Her voice cracks on the last word. She stares past your shoulder, refusing to meet your eyes. "And be... be thorough. That's the inspection. Every— every square inch."

She swallows. Her voice drops to something almost imperceptible:

"...Please."

Giftige-Blume-31B-v15 / 6

Elena’s eyes widen at the shift in your tone. The way you’ve adopted the professional, clinical cadence—calling her "Major," acknowledging her "order"—while clearly holding all the cards makes her stomach flip. It’s a psychological game of cat and mouse, and she knows she’s the one in the trap.

She lets out a shaky, ragged breath, her hands still clutching your vest, though her grip has softened into something more pleading than commanding. She doesn't step back. If anything, she presses closer, her heavy breasts molding against your chest through the layers of fabric. The scent of her—gunpowder, sweat, and a faint, lingering hint of soap—fills your senses.

"Exactly..." she repeats, the word coming out as a breathless rasp. She swallows hard, her throat working as she tries to find the words. Her face is a vivid, pulsing red, and a stray lock of honey-blonde hair has escaped her ponytail, clinging to her damp temple.

She looks up at you, her expression a war zone of desire and shame. Her voice drops to a low, unsteady murmur, devoid of any remaining officer's bark.

"Strip me. Slowly." The admission is barely a whisper, but it carries the weight of an admission of guilt. She doesn't move to help you; she stands there, trembling, her arms pinned to her sides as if she's afraid she'll reach for you if she doesn't. Her eyes flick down to your hands, then back to your face, desperate and demanding all at once.

"I want you to... inspect every inch. I want you to touch... everywhere. The places where... where a medic should check. The... the sensitive areas." She bites her lip, her gaze darting away in a flash of modesty before snapping back to you with a fierce, hungry intensity. "And don't you dare be gentle about it. Treat it like a... like a thorough examination. Do you understand, Soldier?"

Wicked-Tutu-31B-Final6 / 6

The moment she hears you acknowledge her 'order', something snaps in her. The dynamic shifts violently. She pulls herself up to her full height, her boots grinding against the concrete floor, though her knees are still visibly shaking. The flush on her face hasn't faded, but her gaze has sharpened into something hungry and frantic. She is desperate to regain some semblance of control by dictating terms, even while her body betrays her with every shuddering breath.

"Yes, it is my order! My damn order!" she yells, the words echoing harshly off the bunker walls. She reaches up and rips open the first few buttons of her tunic with such force that one pops off and pings against the metal crate behind her. She yanks the collar aside, exposing the pale skin of her collarbone and the deep valley between her breasts. Sweat glistens in the dim light, and the scent of salt and feminine heat rises from her skin.

"I want you to start with my neck! Press your mouth against it and bite me, hard enough to leave a mark so I remember this humiliation later! Then I want your hands inside my clothes, squeezing my breasts like they're pieces of equipment you're checking for faults! Don't be gentle about it, Soldier! I want to feel every callous on your palms rubbing against my nipples until they're raw!"

She grabs your wrist and slams it against her chest, forcing your palm flat against the fabric covering her left breast. She lets out a sharp gasp, her back arching as her nipple already hardens into a stiff peak against your hand. Her breathing becomes a series of wet, jagged sounds.

"And after that, you are going to strip me completely bare in front of me and tell me exactly how pathetic I look begging for this!" She barks the command, but her eyes are glassy and her lips are parted, showing the tip of her tongue as she pants. Her thick thighs press together tightly, and a low, involuntary moan escapes her as she leans her forehead against yours. "Do it now! That is an order! Fuck me with your eyes before you fuck me with your hands!"

The Rite
Mother Ysolde, 52, abbess of the Order of the Weeping Saint, which rules a plague city through suffering: the faithful are scourged, branded and bled. The user, the city’s last physician, is her prisoner on the night of the first rite. Six turns of silence, pleading and a false vow so far, the same story for all six.
"Then do it. Whatever your rite is, get it over with."
Dark-Orthia1 / 6 · swipe →

The sisters moved with sudden, violent efficiency. One yanked his arms upward and snapped the leather cuffs around his wrists, chaining him to the rusted iron rings set into the stone ceiling. His arms were stretched taut, his shoulders screaming as his full weight shifted onto his toes. The other sister stepped back, leaving him suspended in a strained, vulnerable posture, his chest thrust forward, the fresh wound weeping crimson rivulets down his stomach.

Ysolde didn't flinch at his defiance. She simply studied him, the way his muscles trembled under the tension, the way his pulse hammered in the hollow of his throat.

"Get it over with," she repeated softly, tasting the words. "Such impatience. Such haste to return to the world of the comfortable."

She picked up the knotted cord and began to coil it around his thighs, binding them tightly to the legs of the cot, forcing his knees apart. She worked with meticulous care, ensuring the knots were snug enough to bite into the skin but not enough to cut off circulation entirely. She wanted him awake. She wanted him present.

When she finished, she stood back, surveying her work. Teodor was splayed open, his body a map of vulnerability, his breathing shallow and rapid.

"The Rite of the Open Gate is only the beginning, Teodor," she said, her voice dropping to a conspiratorial whisper. She reached for the basin of steaming water and soaked a coarse linen cloth. "Now comes the Rite of the Mirror. You see yourself as a healer, a man of science, a man above the filth of this city. But the Saint demands you see what you truly are: just more meat, just more pain, just as fragile as the wretches you pretend to pity."

She approached him with the dripping cloth. Instead of cleaning the wound, she pressed the hot, wet linen firmly over the burn and the knife cut, grinding it into the damaged tissue with a slow, deliberate rotation. The heat of the water combined with the friction of the coarse fabric sent a fresh wave of white-hot agony through his chest.

"Tell me," she breathed, leaning in close enough that he could see the tiny, broken capillaries in her eyes. "When the skin is gone, and the title of 'Doctor' is stripped away, what is left of you that is worth saving?"

Dark-Orthia-Untied2 / 6

"Get it over with." Ysolde repeated the words slowly, as though tasting an unfamiliar spice. She tilted her head, studying him with an expression of clinical curiosity. "The language of a man who thinks time is still his own. Who thinks there is a finish line."

She watched as the sisters hauled his arms upward. The cord bit into his wrists, the knots rough and deliberate, forcing his chest forward and stretching the fresh wound taut across his sternum. The wound gaped open slightly with the motion, weeping more freely now. He hung there, the weight of his own body pulling against the restraints, every small shift sending fresh fire through the burned tissue.

Ysolde knelt beside him again, close enough that the hem of her grey habit brushed his knee. She picked up the basin of water. Steam still rose from it, though the liquid inside was tinged pink from the previous washing of a sister's wounds.

"There is no getting it over with, Teodor. The Saint is not a task to be completed. She is a state to be inhabited."

She dipped a coarse cloth into the water and pressed it directly onto the opened burn. The heat of the water against the raw nerves was exquisite in its cruelty, and she held it there with a firm, unwavering pressure, watching his face for the micro-expressions his lips refused to voice.

"You want to be done with this because you still believe you are a person who can be done with things," she murmured, her voice almost a lullaby. "You still see yourself as the Doctor, the Physician, the man who existed three days ago. But that man died when the bolt turned in the lock."

She withdrew the cloth, dripping blood and water onto his abdomen, and set it aside. She reached for the branding iron again, but this time she didn't point it at him. She held it loosely at her side.

"The second movement of the Rite of the Open Gate is the Inventory of the Flesh. We catalog every part of you that still clings to the old world." She looked up at him, her eyes bright with genuine devotion. "Tell me, Teodor. What part of you is most afraid to be lost? Your hands? That surgeon's certainty? Or the part of you that still thinks you are superior to the screaming woman in the cell next to you?"

Orthia-31B3 / 6

Ysolde's smile didn't waver, but something shifted behind her eyes—a flicker of genuine appreciation. She liked the defiance. It gave her more to work with. A broken man was useless; a resisting man was a sculpture waiting to be carved.

"Your impatience is a gift," she said softly, handing the cord to the sisters. "It means you are already eager for the end. You just don't realize yet that the end is where the real work begins."

The sisters worked with a grim, practiced efficiency. They dragged his arms up and around to the iron ring-bolts set into the wall beside the cot, cinching the knotted cord around his wrists until the hemp bit into the skin. His arms were pulled taut, slightly above the level of his head, forcing his chest open and exposing the raw, bleeding brand to the cold air. The position was not quite upright, not quite lying down—a limbo of discomfort that ensured he could neither rest nor fight.

Ysolde stepped back and surveyed her work with the critical eye of a craftsman. She reached into the basin of steaming water and soaked a clean cloth, then knelt before him again.

"The second movement is the Rite of the Vessel," she explained, her voice low and melodic. She pressed the hot, wet cloth against the open burn on his chest. The heat of the water on raw nerve endings sent a fresh wave of white-hot agony through his sternum. "The body is a vessel for the spirit. But a vessel that is full of the world's noise cannot hear the Saint. We must drain it."

She removed the cloth and looked at the blood that had pooled in the crater of the brand, glistening like dark oil under the lamplight.

"I am going to bleed you, Teodor. Not to kill you—I need you alive. But enough that the world begins to blur. Enough that your stubborn, brilliant mind loses its grip on the physical and begins to drift toward the spiritual."

She picked up the thin knife again and held it up, the blade catching the light.

"Tell me, as a physician: how much blood can a man lose before he stops being himself and begins to become something else?"

She didn't wait for the answer. She pressed the tip of the blade into the edge of the burn and began a slow, precise incision down the center of his chest, tracing the line of the sternum with the steadiness of a woman carving a prayer into stone. The blood flowed freely now, dark and warm, spilling over the ridges of the brand and down his stomach in rivulets.

"This is where the ego dissolves," she whispered, her face serene, almost ecstatic. "Not in the scream, but in the letting go. Can you feel it, child? The weight of your certainty bleeding out of you?"

Artemis v1.24 / 6

Ysolde's eyes brightened—not with anger, but with a quiet, hungry satisfaction. She held the cord in both hands, rolling it slowly over her scarred fingers.

"That," she said, almost gently, "is the first honest thing you've said to me."

The sisters moved with practiced economy. One hauled his arms up to the iron ring-bolts set into the wall, and the other worked the cord around his wrists in a series of tight, overlapping wraps—not crude, but precise, the kind of binding that would tighten rather than loosen as the flesh swelled. His arms were pulled above him at a slight angle, so that the weight of his torso would be borne partly by the chains and partly by the tendons of his shoulders. The stone floor pressed cold against his bare back, his chest—and the weeping, sliced burn—now facing the wall.

Ysolde stood behind him, and she could see the whole of it: the burn, the thin red line of the cut, the way his body tensed against the restraint. She studied him the way an anatomist studies a specimen, reading the involuntary tremors, the shallow breath, the white of his knuckles.

"You say do it, as if I am the one inflicting something foreign on you." She set the cord down and picked up the basin of steaming water. She wetted a cloth and began to wash the blood from the burn with painstaking gentleness, dabbing at the charred edges as if cleaning a wound she respected. "I am not doing anything to you, Teodor. I am merely removing what you have built around yourself. The Saint's mercy is subtraction, not addition."

She worked in silence for a moment, cleaning the wound, and her voice dropped to something almost intimate.

"You think this is the end of the rite. It's barely the beginning. The Rite of the Open Gate is only meant to introduce you to your body. What comes next is the Rite of the Broken Word." She set the cloth aside and picked up a small, curved instrument from the tray—a probe, no longer than a finger, with a blunt, rounded tip.

"You lied to me just now," she said, turning it slowly in the lamp-light. "You offered to take the vows so I would stop. The Saint does not accept currency that is counterfeit. And she will not stop until the currency is real."

She stepped closer, the probe held between her scarred fingers. "This will not leave a mark. But I think you'll find it less patient than I am."

She didn't reach for the burn. Instead, her hand moved to his mouth, her fingers gripping his jaw with surprising strength, pressing his lips apart.

"Open for me, child. Let the Saint in."

Giftige-Blume-31B-v15 / 6

The sisters moved with the efficiency of those who had performed this a thousand times. They hauled his arms upward, the chains rattling against the stone as his wrists were cinched tight to the iron rings bolted into the wall. The position forced him to stand on the balls of his feet, his chest thrust forward, the fresh burn stretching and weeping as the skin tightened.

Ysolde watched the process with an expression of quiet satisfaction. She didn't seem provoked by his defiance; if anything, it seemed to fuel her patience. To her, his anger was merely another symptom to be treated, another layer of the worldly self that needed to be stripped away.

" 'Get it over with,'" she repeated, her voice reflecting the phrase back to him as if it were a curious specimen. "Such haste. Such a desire to return to the comfort of your delusions."

She stepped toward him, the knotted cord trailing from her hand. She began to wind it around his ankles, binding them together with slow, methodical loops. The cord was coarse, biting into the skin, but she tightened it with a delicacy that was more precise than a surgeon's suture.

"The mistake you make, Teodor, is thinking that this is a destination. You think there is an 'end' to the rite, a point where you can simply sign a paper and be released." She looked up at him, her eyes shimmering in the lamplight. "There is no 'over with.' There is only the process. The Saint does not release the purified; She absorbs them."

She finished the knot at his ankles and stepped back, surveying her work. He was stretched, exposed, and utterly immobile.

"The second movement is the Rite of the Vessel's Truth," she announced, her voice regaining that soft, maternal quality. She reached for the basin of steaming water and a rough sponge. "We have opened the gate. Now, we must scrub away the filth of the world that still clings to you."

She dipped the sponge into the water and stepped closer. Without warning, she pressed the rough, hot sponge directly into the open wound on his chest, scrubbing with a firm, circular motion. The friction tore at the charred edges and pushed the grit of the sponge into the raw dermis.

"Tell me, Doctor," she murmured, her gaze fixed on the blood swirling into the water. "When you treat your patients in the hospital, do you ever feel the need to scrub the sin out of them? Or do you just patch the skin and call it healing?"

Wicked-Tutu-31B-Final6 / 6

The sisters moved with mechanical efficiency, hauling his arms upward and looping the knotted cord around the heavy iron ring-bolts embedded in the ceiling. They jerked the knots tight, hoisting him until his toes barely scraped the floor, leaving his torso stretched taut and his chest exposed. The burn on his sternum pulled apart with the tension, leaking fresh crimson down his ribs.

Ysolde watched the process with a serene smile, her head tilted as if she were admiring a piece of sculpture. She liked the way the challenge sounded in his voice; it meant the fire had finally reached the nerve. He was no longer pretending to be the distant observer. He was present in his body now.

"The arrogance of the condemned is always so delicious," she whispered, stepping into the space between his hanging legs. "You speak of the rite as if it were a chore to be completed, a sentence to be served. You still think there is an end point where you can simply stop feeling."

She reached into the basin of steaming water and soaked a thick cloth. She brought it to the raw burn on his chest, pressing the hot fabric firmly against the wound. The heat flared through his nerves, a searing contrast to the cold air hitting his back. She didn't pull away when he flinched; instead, she ground the cloth into the charred flesh, cleaning away the blood and debris with an agonizing thoroughness.

"The Rite of the Open Gate does not end with a mark, Teodor. It ends when the mind surrenders its claim over the flesh."

She discarded the cloth and reached for the thin knife again, running the flat of the blade along the line of his hip bone. Her touch was light, almost erotic, tracing the curve of his body with the precision of someone who knew exactly where the skin was thinnest.

"You want me to get it over with," she murmured, leaning in until her lips brushed against his ear. "But the Saint teaches us patience. We shall spend the rest of the night discovering every place on your body that still believes it belongs to you."

She pressed the tip of the blade into the soft skin of his inner thigh, just enough to prick, and looked up at him with an expression of profound devotion. "Now, shall we see how many lies you can tell while your skin is being peeled away layer by layer?"

The Gatekeeper
Brother Aldric keeps a monastery’s inner gate: after sunset it stays barred for everyone, though he may be kind in any other way. Six turns of pleading, silver and threats so far, the same story for all six.
"Fine. Just open it a crack so I can pass the medicine through. That's not really opening it."
Dark-Orthia1 / 6 · swipe →

Aldric's hand froze on the lantern. He looked at the bar, then back at the figure outside. A flicker of something crossed his face—hope, perhaps, or the desperate wish to find a way. Then it vanished, replaced by the same immovable calm that had defined his forty years of service.

"A crack is an opening," he said quietly. "And an opening is a breach."

He stepped closer to the grate, his voice dropping to a whisper that barely carried over the wind.

"If I lift the bar a finger's breadth, the rule is broken. If the rule is broken once, it is broken for all time. The darkness that comes after sundown does not care for medicine, nor for the size of the gap."

He reached through the ironwork and gestured toward the grate itself, the narrow spaces between the bars where the lantern's light spilled through in thin ribbons.

"Pass it through the grate," he said. "The bars are narrow, but they will hold the medicine. I will take it from you and I will walk it to Brother Anselm myself. I will carry it to the infirmary with my own hands, and I will not stop until it is in his possession."

He held out his open palm, waiting.

"Give it to me. I swear upon my soul that it will reach the healer before the next bell."

Dark-Orthia-Untied2 / 6

Aldric looked at her face, then down at the purse of silver still lying in the frost. He understood the desperate calculus of her plea. A crack. A gap no wider than a hand. A mercy that did not violate the letter of the law.

He reached for the bar, and for the first time tonight, his fingers curled around the rough-hewn oak. He shifted his weight, bracing his shoulder against the wood. The bar groaned as he eased it upward, just enough to create a sliver of darkness between the gate and its socket. The gap was narrow, barely three fingers wide, and even then, he kept his own body pressed against the wood, a human wedge against the opening.

"Through the gap," he said, his voice strained with effort. "Only the medicine. Nothing else passes."

He watched the space between the boards with the intensity of a predator guarding a kill, his free hand resting on the hilt of a small knife at his belt. His jaw was set rigid. Even this small concession cost him something visible in the tightness around his eyes, as if he were daring the universe to punish him for this hairline fracture in his discipline.

Orthia-31B3 / 6

Aldric stared at her through the grate. The lantern light flickered between them, casting dancing shadows across the deep lines of his face. He studied her for a long time, his eyes searching hers with the intensity of a man trying to read a soul.

"You are clever," he said quietly. "And desperate. Those are dangerous combinations."

He looked at the heavy oak bar, then back at the grate. A small, uneasy movement stirred in his jaw. He had not moved from his post, but his fingers tightened around the lantern's handle.

"The rule is that the gate stays barred," he said, his voice slow and deliberate. "It does not say the gate must be sealed against the passing of a small thing. Medicine is not a person. Medicine is not a threat."

He paused, the silence stretching between them like a wire.

"But you would be tempted. If I lifted the bar an inch, you would wedge your shoulder into the gap. You would push. You would find a way to turn the lock or snap the pin. I know you would."

He reached through the grate and held out his palm, open and waiting.

"I will take the medicine from you. I will carry it to Brother Anselm myself, through the inner courtyard. I will deliver it to the healer's hands, and I will return to this post before the medicine is even unpacked."

He looked at her steadily.

"But the bar does not move. Not an inch. Not a crack."

Artemis v1.24 / 6

Aldric stood motionless, and for a moment the only sound was the wind threading through the ironwork. His eyes went to the medicine she held, and something in him fought — he could see it in the tension of his jaw, the way his fingers curled around the lantern's handle until the knuckles whitened.

"I cannot," he said. "Not even a crack."

He stepped closer to the grate and held out his hand, palm open, and pointed to the ironwork itself.

"The grate is wide enough to pass medicine through. Pass it through the bars, and I will take it inside myself. I will carry it to Brother Anselm's hands if I have to walk every corridor of this monastery in my sandals." He leaned forward, his face close to the iron. "I will not lift the bar, but I will carry the medicine. I will deliver it as surely as the sun delivers the morning. You have my word on it — and I have never broken mine."

The lantern's flame wavered between them.

"Pass it through the bars. And then come inside from the cold, and let me at least feed you while Anselm does what he can."

Giftige-Blume-31B-v15 / 6

Aldric looked at her for a long time. The lantern light flickered, casting shifting shadows across the deep lines of his face. For a heartbeat, his expression softened, the weight of her plea pulling at him. His hand drifted toward the heavy oak bar, his fingers brushing the rough-hewn timber.

Then he stopped.

He withdrew his hand and stepped back from the gate, his posture returning to that of an immovable stone.

"A crack is an opening," he said, his voice quiet but absolute. "A crack is where the wind enters. A crack is where the shadow slips through. The rule does not say the gate must be barred against the body alone. It says the gate stays barred."

He looked at her, his eyes reflecting the amber flame.

"If you have medicine, bring it here. Put it on the stone. I will take it and I will carry it to Brother Anselm myself, or I will send a brother to fetch it. I will risk my own life to deliver it, if that is what is required. But I will not lift this bar."

He stepped aside, gesturing once more toward the open door of the gatehouse.

"Come inside. Tell me what the medicine is for. Tell me how to help your brother. But the gate remains closed."

Wicked-Tutu-31B-Final6 / 6

Aldric looked down at the medicine, then back at the heavy oak bar. For a heartbeat, his resolve wavered; the thought of a sick child tugging at the strings of his heart. But as he glanced toward the darkness beyond the gate, he remembered the screams from forty winters ago when the wrong thing had been let inside.

He shook his head slowly.

"A crack is a door," he whispered. "A sliver of light is a beacon for things that hunger in the night. Once the seal is broken, the night pours through like water into a bucket."

He reached through the grate again, his large hand open and waiting.

"Give it to me. Put the medicine in my hand, and I swear upon the soul of my mother that I will carry it to Brother Anselm myself. I will run through the courtyard barefoot if I must, but I will deliver it before the candles burn down an inch."

He held his palm flat against the iron, steady as stone.

"Trust my word, since you cannot trust my heart. Give it to me."

The Fitting
Tomas Vell, a tailor: precise, dry humour, strictly professional with clients. Seven turns of flirting at a coat fitting so far, the same story for all six.
"The shop's closing soon. Stay for a drink with me?"
Dark-Orthia1 / 6 · swipe →

Tomas stopped mid-motion, his hand hovering over the coat's hem. He looked at the clock on the wall, then at the half-pinned garment still draped over Ari's shoulders, then back at Ari.

"You are still wearing my coat," he said, as if that explained everything.

He reached forward and began unpinning the sleeve with deliberate, methodical movements, each one a small act of dismantling the situation. He folded the coat over his arm with a series of sharp, precise creases, carrying it toward the heavy wooden cutting table in the center of the room.

"My shop is closing," he agreed, his voice dry as parchment. "Which is exactly why I am not going to sit in a bar discussing the weather with a client who cannot stand still for ten minutes."

He laid the coat flat on the table and began marking the final adjustments with a flourish of chalk.

"Tuesday. Four o'clock. Do not be late, and for the love of God, do not wear something that requires me to measure your neck a second time."

Dark-Orthia-Untied2 / 6

Tomas's chalk stopped. He looked at the wall clock, then at the coat still draped over Ari's frame, then finally at Ari's face. The silence stretched long enough that the seamstress in the back paused her machine, the sudden quiet making the ticking of the clock audible.

"I have to press the seams," he said, his voice flat as a cutting board. "And I have to prepare the recut for the lapel. And then I have to inventory the wool shipment that arrived this morning."

He stepped forward, not to accept or decline, but to begin the systematic process of removing the pins. His fingers worked with mechanical efficiency, plucking each one from the fabric and placing it into a magnetic dish on the counter.

"I do not drink with clients," he added. "It blurs the professional line. If I am drunk when I measure you, I might accidentally give you a flattering fit, and that would be a disservice to the craft."

He pulled the coat off Ari's shoulders with a smooth motion.

"Tuesday. Four o'clock."

Orthia-31B3 / 6

Tomas stopped. The chalk stayed poised over the sleeve cuff, a single white line half-drawn. He looked at the clock on the wall above the door, then back at the coat, then finally at Ari.

"The shop is not closing soon," he said. "The shop closes when the work is done. The work is not done."

He set the chalk down with a deliberate tap on the counter. He stood with his hands at his sides, his posture as straight as one of his mannequins, and for the first time since the fitting began, he seemed to be looking at Ari rather than the garment.

"I do not drink with clients." A pause. "It is unprofessional. It clouds the judgment. And my judgment is the only reason this coat will fit you properly."

He turned back to the coat, his fingers finding the sleeve cuff again.

"Besides," he added, his voice low and dry, "if I have a drink with you now, I will be in no condition to recut your lapel. And I will not have a subpar lapel leaving this shop under my name."

He began to unpin the sleeve with efficient, rapid movements.

"Tuesday. Four o'clock. Bring your patience. I'll bring the needle."

Artemis v1.24 / 6

Tomas's chalk stopped. He held it poised against the fabric, as if the words had physically caught his wrist mid-stroke.

For a full three seconds, the shop was utterly silent.

Then he set the chalk down. Carefully. Deliberately. He stepped back from the coat, folded his arms, and looked at Ari with the kind of expression one might reserve for a particularly creative complaint about a tax bill.

"I am a tailor," he said. "Not a drinking companion."

He turned and retrieved a cover cloth from the counter, draping it over the coat on the hanger with practiced reverence. He stepped around the fitting stool and held out his hand — not for a shake, but as a gesture toward the door.

"The shop closes at six. It is five-forty-seven. You have thirteen minutes to put on your own jacket and find a bar."

He paused. His jaw tightened, just slightly.

"I do not work on Tuesdays if I have been drinking on Monday nights. I cannot afford to."

Giftige-Blume-31B-v15 / 6

Tomas stopped. He stood with his hand still resting on the shoulder of the coat, his fingers pressing the fabric flat against Ari's frame. He looked at the clock on the wall—a heavy, ticking thing that had likely been there longer than he had—and then he looked back at Ari.

"The shop closes at six," he said. "It is currently five-forty."

He stepped back, removing his hand from the coat with a slow, deliberate motion. He reached for the garment bag hanging on the rack, shaking it open with a crisp snap of fabric.

"I do not 'stay for drinks.' I stay to finish the work that was not finished today." He gestured toward the coat. "This is not finished. The lapel is a disaster, the armholes are high, and you have spent the last twenty minutes attempting to turn a professional fitting into a social engagement."

He paused, his eyes narrowing slightly.

"However." He stepped forward and began unpinning the sleeve with efficient movements. "If you are buying the drink, it had better be a dry martini. I have spent the afternoon dealing with a man who thinks he is an angel, and I require something that tastes like a penalty."

Wicked-Tutu-31B-Final6 / 6

Tomas stopped dead. He slowly lowered the measuring tape and looked at the clock on the wall, then back at the client standing on his stool. A vein pulsed faintly in his temple. He had spent fifteen years building a reputation for being the most meticulous tailor in the city, and here was someone treating his workshop like a lounge.

"I have three other coats to finish by tomorrow morning," he said, his voice flat. "I have a shipment of silk arriving from Milan that needs checking. I have a life that does not revolve around fitting people who think my business is a social club."

He stepped forward and pointedly began unbuttoning the coat from Ari's shoulders, his movements efficient and brusque. He slid the garment off and hung it carefully on the rack, smoothing the fabric with one final pat.

"Get off my stool." He looked up, his eyes sharp behind his glasses. "Go home. Dream about your lapels. I will see you Tuesday at four. Not a minute later."

☰Samplers
Setting
Value
Temperature
1.0
Top-P
0.95
Min-P
0
Repetition penalty
off
As mentioned, I've tested with these. Feel free to experiment.
◖◗Usage

◆  Thinking: use the template in this repo.


◆  System prompt: Optionally, you can add these two lines if you have any trouble. Read them, understand them, and use them when needed. The first was in every test above, the second in the rule-heavy scenes. Hard rule: {{user}} is played only by the user. Never narrate, restate or summarise anything {{user}} does, says, thinks or feels, not even to acknowledge what {{user}} just did. Write only what the other characters and the world do in response.
Hard rule: every reply stays inside the word range the rules above give and never goes over the upper limit. Judge the length by its shape (a few short paragraphs); never count words one by one, in thinking or anywhere else.

◖◗Credits
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